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"I
hate to portray women being dragged on the floor and touching the
feet of every elder!"-
Vinta Nanda |
She
can easily be termed the feisty first lady of Indian television. The intrepid
filmmaker who made the unforgettable Tara for Zee in the 1990s,
is poised to make waves again - this time with a feature film that explores
the dark side of the glamour world of television. Is she ready to take
on the fickle industry with her daring work of art? Vickey Lalwani
met up with her to find out.
Finally,
you are ready with your first film 'White Noise'?
Finally.
It took me three years. I hadn't quit Zee. I was heading the ideation
cell for Zee Network and I thought I'd be back in six months time.
But wasn't
it a gamble to quit such a high-profile job?
Of course it was a gamble. But I had a burning desire to make a film
that I couldn't suppress. In fact, the flames kept burning within me all
the time. I believe I have only one life to live. I don't believe in rebirth,
unless it is proved to me.
I won't
argue on that, but why did it take you so long?
Wherever I went- be it for a financier or an actor, they thought that
I won't be able to make a film. I had take a lot of shit like, 'Yeh kya
banayegi? Inka to TV background hai?'. But I wanted to make a comment
and I was not going to give up.
Interesting.
Then?
I managed to rope in Rahul Bose and Tabu. But suddenly Tabu turned
around and demanded a high price, something which fit nowhere in my budget.
She walked out.
In walked
Koel Puri?
Thanks to Soni Razdan who suggested her name. I was quite psyched
up those days. But three seconds after I saw Koel, Tabu was erased from
my mind. Yes, she was my protagonist, Gauri Khanna.
Koel Puri
told me last week that this film is going to expose the television industry;
that it will rip the façade off these so-called bahus and sati-savitris
of TV? Does it deal with their life behind the scenes?
(Smiles) It's not so dramatic. But yes, it makes a comment on the
hypocrisy prevailing in the television industry.
But why
the television industry?
I am not targeting the television industry. Hypocrisy unfortunately
prevails in all spheres. But being from this industry, it was easy for
me to relate and to convey what I want. If I have been hands-on with what
I am saying, only then can I send the message across convincingly. Koel
plays a soap script-writer and Rahul plays the editor of the same show.
What happens in their life thereafter forms the crux of the story.
Is Gauri
Khanna playing Vinta Nanda?
(Smiles) Well, I won't say that. But as I told you, my personal experiences
definitely reflect in the story.
How did
you manage the finances eventually?
Mahesh Bhatt helped me. He told me "you are a genuine person
who is making something that should be made." He arranged
for someone (Sevy Ali, my co-producer) who contributed to my cause.
When is
your serial 'Mili' going on air?
It's coming up on Star in December. It stars newcomer Mona Vasu in
title role. And of course, there too I'll make a statement. It's a progressive
soap. I hate to see women being dragged on the floor and touching the
feet of every elder. Tell me, how many women do that in today's times?
I am not talking about the working woman essentially. Tell me, how many
housewives don mangalsutras and saris at home 24X7? So much
of regressive stuff is on air.
I know
what you mean, but don't these serials register high TRPs, much higher
than others?
That's because people have not been given enough of the other variety.
They have been constantly hammered with this kind of stuff. However, with
new channels and new genres of shows coming up, there is hope. In fact,
I am sure it's a matter of time when we'll have bold and sensible shows
again. But yes, we need some people to bell the cat, someone who can take
charge and turn it around. I remember there was a wave of bold shows after
Tara clicked but somehow they got washed away. Think of it, it's
a cycle. I, for one, will never subscribe to homely, saas bahu serials.
But why?
Simply because I don't believe in them. I don't see myself as an entertainer
out to make money. I have traveled into the interiors of India and extracted
events and issues which have disturbed me. If I was money-minded, would
I have chucked up the Zee job? Let me tell you a very pathetic thing that
happened with me, recently.
Uh huh?
Someone from the television industry, told me that I was too intelligent
to be making serials in India. If that's the case, I shudder to think
what stuff we're leaving behind for our future generations to see. Why
don't we realise that we are documenting something? How can we document
fallacy?
So does
this very intelligent maker go back to Zee?
(Smiles) Zee will have to make a very tempting offer for me not to refuse.
(pauses) I think I'll stick to making films.
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